Masterplan (2026) Review: A Family Heist Aimed at the Louvre

Synopsis

This Masterplan review starts with a simple pitch: a famous thief wants the Mona Lisa. Roger, played by Stanley Tucci, is aiming at the Louvre, the most guarded art room in the world. To pull it off he needs help, so he brings in two young strangers.

Chiara is an Italian cybercrime expert. Jay is a French explosives specialist. Once the team is in place, Roger drops his own bombshell: he is the father of both. Now the three must run a delicate heist while sorting out a family none of them knew they had.

What works

The premise mixes two familiar pleasures: the elaborate art caper and the awkward family reunion. That pairing gives the film a clear engine. Every planning scene can serve two purposes, moving the job forward while poking at old wounds and new suspicions.

The setting helps too. A plot built around the Louvre and its best-known painting promises glamour, tension and a bit of mischief, and the French and Italian flavor fits the international crew. The casting of a thief, a hacker and a demolitions expert is a neat toolkit for a genre that loves specialists.

The film is also pitched as an action comedy, and that blend suits the material. A heist is already part puzzle and part performance, so a lighter tone makes sense. Director Thomas Vincent seems to aim for brisk, crowd-pleasing fun rather than grim realism.

Performances

Stanley Tucci is the obvious draw. He has a gift for charm with a hint of mischief, which is just what a veteran thief with a secret needs. Roger has to be likable and slippery at the same time, and Tucci is well suited to that balance.

Victor Belmondo plays Jay, and Simona Tabasco plays Chiara. Their characters are written as sharp, skilled people who are wary of the man who brought them together, so the chemistry between the siblings matters as much as any safe-cracking. The supporting cast includes Mark Ivanir as Bruno, Philippe Uchan as Bartoli and Foëd Amara as Mo, rounding out the heist world around the family.

Where it stumbles

The family-reveal setup is a risk. Stories about secret parents and long-lost siblings can lean on sentiment, and a heist film needs momentum. If the emotional beats slow the plan too often, the caper can lose its snap.

There is also the matter of familiarity. The Mona Lisa has been a heist target in stories before, and the crew of specialists is a well-worn formula. The film has to win on personality and execution rather than surprise, and that is a harder task than it looks.

Finally, reliable critical consensus was not available at the time of writing, so audiences should treat early reactions with some caution. The user score on TMDB sits at 7.0 out of 10 from 175 ratings, which suggests a friendly but not overwhelming welcome.

Who will enjoy it

• Fans of light, star-led heist films that value charm over realism.

• Viewers who like family comedies with a bit of chaos and bickering.

• Anyone who enjoys Stanley Tucci and wants a playful role for him in a glossy European setting.